Friday, March 12, 2010

THIS WEEKEND: Ghostly meetups at the Linda Vista Hospital & the Old Spaghetti Factory

Time to get your ghost on: This weekend in L.A., you'll have not one, but two opportunities to check out haunted locations with fellow supernatural enthusiasts.

Tonight, the Boyle Heights Paranormal Project is holding a meet & greet to celebrate their recent website launch at the notorious Linda Vista Hospital (which, as you may recall, was the subject of a Ghost Adventures episode). Tours of the facility will not be given, but visitors will be allowed inside of the hospital. The event will begin with coffee and pastries in the lobby at 9 PM, followed by a slide show and presentation in the chapel. The event is free and open to the public.

Tomorrow night brings yet another opportunity to frolic with the good people of GHOULA (Ghost Hunters of Urban Los Angeles), a local ghost hunting group of which I am a Vice President. This month's meeting will be held at the Old Spaghetti Factory in Duarte, which used to be a schoolhouse in the early 20th century, and has several ghost stories associated with the building. We will be meeting in the "Hide-Away Room" next to the bar at 8 PM. Again, the event is free and open to all.

Visit ghoula.org for more information on both events. Happy haunting!

Monday, March 1, 2010

TONIGHT: Rob Zombie directs 'CSI: Miami'

Don't forget to tune in to CBS tonight at 10 PM to check out the all new Rob Zombie-directed episode of CSI: Miami. The episode, titled "L.A.," stars RZ favorites Malcolm McDowell, William Forsythe, Michael Madsen and - of course - Ms. Sheri Moon Zombie.



Regarding how he'll put his own spin on the popular crime show, Zombie told the NY Daily News, "In the opening scene, it'll seem obvious [that I was the director]. But I wasn't trying to disrespect the show by disregarding anything they've done. I wasn't trying to turn it into something different."

Having never seen an episode of CSI: Miami myself, I'm coming to this show with a completely fresh perspective. I'll let you know my thoughts after it airs!

Sunday, February 7, 2010

An(other) Interview with Yours Truly

My interview for Ms. Aleata Illusion's Gore Gore Dancer Movie Reviews site has just gone up, in honor of Women in Horror Recognition Month! Please read & enjoy on this beautiful Puppy Bowl Sunday...

Women In Horror-Melissa AKA SpookyLittleGirl

Wednesday, February 3, 2010

February is Women in Horror Recognition Month!

In case you haven't already heard, February has been designated Women in Horror Recognition Month. As a woman in possession of both a lifelong love of the genre and strong feminist convictions, I have to admit that I'm giddy at the prospect. The mastermind behind the entire event is Ms. Hannah Neurotica, creator of Ax Wound: Gender & the Horror Genre. Here's a little excerpt from her WiH Manifesto:

Women are seen as a novelty item in horror. We are bloody babes and soon-to-be gut piles in peril. We are “horror chicks of the month”: almost every site dedicated to women in horror is about what they look like and how hot they are. I used to love the term “Scream Queen” but it no longer has any empowerment left. ...Women have to face body image issues all over the place in our culture, why must we also experience it in our favorite genre? Why do women have to be celebrated as strictly Tits & Ass & Blood. Why can’t we be recognized as “Scream Queens” who scream out with our artistic and creative abilities; qualities other then how we look. I mean, shit, a lot of Women love horror in very personal and passionate ways and are not wanting to be “Horror Babe of the Month.” We are writers, directors, producers, artists, eery musicians, creepy doll makers, FX artists. We are audience!

In honor of WiH Recognition Month, I plan to make sure women are featured prominently in all of my Spooky Little Girl posts for February. For more information, become a fan of the official Facebook page. In the meantime, here are a few of my favorite scary ladies...
Felissa Rose as Angela in 'Sleepaway Camp' (and, of course, Pamela Springsteen as Angela in the two subsequent 'Sleepaway Camp' films - both excellent performances, but it's hard to beat Felissa's Angela for sheer visual impact, am I right?)

Jill Banner as Virginia in 'Spider Baby'

The divinely creepy Karen Black in 'Trilogy of Terror' & 'Burnt Offerings'
Yvonne DeCarlo as Lily Munster
And, of course, my personal favorite...Elvira

Wednesday, January 13, 2010

TONIGHT: Spirits With Spirits at Miceli's Restaurant

(Photo from Miceli's website)

If your New Year's goals include seeing a ghost (or simply swapping ghost stories), visiting some of L.A.'s most historic locations, or making new friends, then GHOULA may be just the group you've been looking for. The Ghost Hunters of Urban Los Angeles meet up on the 13th of every month at one of the city's many haunted locations to share stories and, in some cases, even do a little supernatural sleuthing. This month's meeting, which is open to everyone, takes place on Wednesday night (8pm to 12m) at Miceli's Restaurant in Hollywood. Miceli's has a resident ghost named Toni who loves to give people a playful jab in the ribs. From GHOULA.org:

SPECIAL NOTE: GHOULA has reserved what the restaurant refers to as "Toni's Section." (Toni is the resident ghost) So, come out for this unique evening of pizza and ghost stories, and more importantly, giving "Toni" the attention she craves.

THE DATE: January 13th, 2010 (Wednesday)
THE PLACE: Miceli's (1646 N. Las Palmas, Hollywood) map
THE TIME: 8pm to the witching hour

THE GHOST(S):

In 1927, the "Pig and Whistle" opened and was an instant success, exemplifying what we think of today as glamorous Hollywood. After a good run, serving the movie stars of the 1930's and 1940's, they finally closed in the 1950's. What does this have to do with Miceli's Restaurant? Although, in recent years, there has been an attempt to bring the "Pig and Whistle" back to its former glory, if one really wants to experience what it was like to step inside this fabled establishment of the past, all one has to do is walk around the corner, and step through the doors of another fabled establishment.

When the famous Hollywood hot spot was gutted to make room for another occupant (ironically the future home of a low grade pizza parlor), the Miceli family pulled all of the hand-carved booths, wall panels, and fixtures out of the dumpsters and fit them (sometimes haphazardly) into their popular pizza parlor.

However, this is not the only reason to visit this local landmark. Since 1949, Miceli's Restaurant (formerly Miceli's Pizza) has been serving great Italian food to the Hollywood community. They were the first pizza house in tinsel town, and remain the city's oldest Italian restaurant. Now, in it's sixth decade of business, it is no mystery why it is still as popular as ever. Miceli's is the kind of comfortable place that the "blue collar" folks rub elbows with high society. In the past, diners have been surprised by Presidents (Kennedy and Nixon) who have dropped in to enjoy a slice of their famous pizza. You just never know who will show up and sit in the booth next to yours.

However, if a ghost shows up, and sits in the booth next to yours, it can only be "Toni." Antoinette "Toni" Heines went to work at this landmark when it first opened, and she was working there when she died not too long ago, and it seems she is still there keeping an eye on things to this day. One employee told GHOULA that every time she used to walk by him, she would give him a playful poke in the ribs. Although she is no longer with us, he still feels the unmistakable poke from time to time. He feels that it is her way of reminding him that she is still there. He also recalled a time when, he was adjusting his tie in a mirror, when he saw (in the reflection) a door behind him slam shut when there was no one around.

In life, it seems she had a bad habit of accidentally dropping drinking glasses. Now, whenever a glass inexplicable slides off of a table or counter, it is blamed on Toni. When these "reminders" happen, the employee involved will go to the stained-glass portrait of her in "Toni's Section," and acknowledge her presence. The staff claims that this simple act, curtails the activity. Though, she is most active at the end of November, if no one remembers her birthday (the 19th) or her date of death (the 24th), her spirit seeks attention all year long. So, if you find yourself in Hollywood, craving a slice of pizza, why don't you visit her favorite haunt and say hello. The attention will make Toni very happy.

Monday, January 11, 2010

Fantastically Frightening Award


I'm proud to announce that the Fantastically Frightening Award, courtesy of Erin at In It For The Kills, has just been bestowed upon this blog! Here's what she had to say about Spooky Little Girl:
She focuses on new movies that have the spirit of the golden age of horror. In her own words, "Let's hope that, in the next decade, filmmakers continue to look into the past in order to find the way forward." I can take a lesson from her because I tend to get stuck in a mentality that there are no good horror movies made after 1990, and that's just not true.
Thanks again, Erin!

Thursday, January 7, 2010

Spooky List: Best Horror of the '00s

Here we are, already one full week into 2010. I'm sure by now the glow of the holidays has faded, resolutions are teetering on the brink of destruction, and reading yet another "Best Of" list is the furthest thing from your mind. Still, the passing of 2009 marks the end of an interesting decade for the genre; consider the trends in horror that abounded in the first ten years of the twenty-first century.

This was the decade in which the term "torture porn" was coined, thanks to a little film called Saw (itself a rather unpalatable riff on Se7en) and its endless stream of sequels and ripoffs. There was also a virtually unrelenting flow of Blair Witch Project-influenced, self-consciously low-budget "handheld camera" flicks, and an absolute glut of remakes, both noteworthy and uninspired (with an unfortunate tendency to skew towards the latter). Still, despite everything, there were some moments of true genius - and, in any event, I think we can all agree that last decade blew the '90s out of the water, no?

Without further ado, here is the Spooky Little Girl list of the Best Horror Films of the '00s, in chronological order according to year of release.

EDITED TO CLARIFY: These films are listed in chronological order, starting with Ginger Snaps because it was released in the year 2000, not because it's my #1 pick for the best horror film of the decade! (In other words, I have not ranked my choices.)



1. Ginger Snaps (2000)
I always love it when horror films are able to take well-worn concepts and successfully put a new spin on them; in this movie, werewolf mythology is conflated with female puberty and menstruation...and it totally works. Emily Perkins and Katharine Isabelle, as weirdo sisters Brigitte and Ginger (nice pun in the title, there), do a fantastic job of bringing two outsider teen girls to life without making them Hot Topic cliches. Followed by two more films, a sequel and a prequel, both of which are far better than they have any right to be.

2. Session 9 (2001)
I adore anything that deals with haunted and/or abandoned places, and what could be more terrifying than an abandoned mental hospital? Bonus points for filming on location in the Danvers State Hospital in Massachusetts! This movie has a great sense of creepy atmosphere, a nice dose of "Whodunit?" tension, and a tasty little twist at the end.

3. The Ring (2002)
This is one of those movies that became so successful - and was so frequently (and poorly) imitated - that it's become a bit shameful to admit to actually liking it. However, if you can put the hype aside, The Ring is actually a very effective modern day ghost story, and perhaps the best American remake of a Japanese horror film. (Yes, I think Sadako's body language was creepier than Samara's, but I prefer this version overall.) Naomi Watts gives an emotionally resonant performance, and who can say they didn't positively ess themselves when poor Amber Tamblyn's terrified, grotesque death face was revealed in flashback? Shudder!

4. May (2002)
Another movie that, like Ginger Snaps, plays with a classic horror trope; this time, it's the Frankenstein theme of creating a perfect human from, ahem, "scrap parts," as it were. Angela Bettis gives a heartbreaking performance as the title character, a lonely, confused young woman who just wants to love and be loved. I firmly believe that she deserved, at the very least, an Oscar nomination for this movie - and probably would have gotten one, if horror wasn't so thoroughly overlooked by Hollywood's heavyhitters. The final scene is frightening, bizarre, sweet and sad.

5. Shaun of the Dead (2004)
Combining Romero-esque zombies with pop culture references and zesty British wit, Shaun gets my vote for the funniest horror-comedy of the decade. It's a treat for zombie nuts, but it's not too scary for regular folks, and it's absolutely hilarious, which makes it ideal for watching with a group. Simon Pegg and Nick Frost are the best onscreen buddy team in recent memory. (See also: Spaced, Hot Fuzz.)

6. Dawn of the Dead (2004)
This Zack Snyder-directed remake of Romero's zombies-in-a-mall '70s classic manages the impossible: It turns pretty much everything that made the original great on its ear, and it still finds a way to win you over. This Dawn is fast-paced (running zombies!), gory, and over-the-top, and while I wouldn't say it eclipses the original, it's a little zombie masterpiece all its own.

7. The Devil's Rejects (2005)
As mentioned in my controversial review of his H2 sequel, I am a Rob Zombie fan - and, to my mind, this is the best movie he's directed to date. It has such a filthy, unwholesome vibe - a great movie to watch in the dog days of August. If you don't feel like you need to shower afterwards, you weren't paying attention. This may be a sequel of sorts to the also enjoyable (but cinematically inferior) House of 1000 Corpses, but it has a completely different tone that means even detractors of its predecessor should give this one a try. While I enjoyed his Halloween reimagining, Zombie's dusty, renegade redneck aesthetic would have been much better suited to a Texas Chainsaw retread. Probably the best (only?) movie to set a pivotal scene to "Free Bird," in all its nine minute glory.

8. Let the Right One In (2008)
I'm no vampire elitist - I'll pretty much take my bloodsuckers any way I can get 'em - but I have to admit that this stark, moody Swedish import is the best vampire film in recent memory. It's sad, scary, mysterious and poignant, and it leaves a number of questions unanswered, which means it will stay on your mind for days. My heart absolutely ached for Oskar, a shy, angry little boy on the cusp of adolescence, and Eli, the strange vampire he meets and befriends. If you like stories about unsettlingly intense and ambiguous friendships - Peter Jackson's Heavenly Creatures leaps to mind - this one is for you.

9. Trick 'r Treat (2008)
Yes, I wrote 2008, despite the fact that the above poster has a 2007 release date - and, in fact, most people probably didn't see this Halloweenie gem until it was released to DVD just last year. (I'm going with 2008 because that's the year that's listed on IMDb, so who am I to choose otherwise?) This Creepshow-esque anthology movie hung in Hollywood limbo for years, becoming a near-legendary source of frustration for horror fans until just a few months ago. Fortunately, it was worth the wait. A great October film, highlighting Halloween's creepy, impish spirit, with some gore and a few laughs sprinkled in for good measure. The cinematic equivalent of reaching your hand into a trick-or-treat bag full of candy; you never know what's coming next, but it's probably awesome.

10. The House of the Devil (2009)
Finally, my favorite horror movie of 2009 earns a spot on the list. I've never seen a contemporary horror movie do the early '80s throwback thing quite as flawlessly as Ti West pulls it off here. Everything, from the title sequence to the poster art to the casting of Margot Kidder-esque Jocelin Donahue as the lead is spot-on for the era he invokes. Does a great job of building suspense, and doesn't skimp on the payoff - and I love the final shot.

BONUS: Grindhouse (2007)
Actually a 2-for-1 double feature comprised of Robert Rodriguez's cheeky zombie B-movie Planet Terror and Quentin Tarantino's "tough girls vs. eye-patch-wearing psycho" exploitation homage Death Proof, I was conflicted about whether or not this actually counts as a "horror movie," thus my decision to leave it off of the list proper. Still, I couldn't overlook it altogether. Both halves of this double feature were enormously fun, and despite the fact that it took a beating at the box office, this was a movie that demanded to be seen in theaters for the full experience - including the hilarious and awesome faux trailers from Rob Zombie ("Werewolf Women of the SS"), Edgar Wright ("Don't") and Eli Roth ("Thanksgiving"), each of which was worthy of a feature-length film of its own. This tribute to the delicious cinematic trash of the '70s represents the best aspects of '00s horror, paying homage without crossing over into disrespect. Let's hope that, in the next decade, filmmakers continue to look into the past in order to find the way forward.

Tuesday, December 22, 2009

An Interview with Yours Truly

Greetings, my spooky little readers! My apologies for being scarce as of late; I've been otherwise occupied, and truth be told, the holiday season isn't very conducive to creepiness. (I've barely even seen any Christmas-themed horror movies, so I can't really compile a list of seasonally appropriate flicks...although I do consider the Evil Dead trilogy to be "Christmas movies," but that's a topic for another post!) I look forward to bringing this blog back with a vengeance in 2010, so please don't remove me from your bookmarks just yet!

In any event, I did want to share a recent interview that the LA RECORD did with my band, Shiloe, regarding topics as varied as ghost hunting, the Beatles, and how to handle a zombie invasion. Follow the link to read all the gory details...

SHILOE: Don't Go in the Attic


Thursday, November 26, 2009

You'll Come Home for the Holidays...In A Body Bag.

Happy Turkey Day to my fellow Americans! (I don't actually eat turkey myself, but I'm definitely looking forward to gorging on scrumptious side dishes.) In honor of the holiday, please enjoy this faux trailer for the sickest, most twisted Thanksgiving-themed slasher flick never made...Eli Roth's Thanksgiving.

White meat, dark meat...all will be carved.

Friday, November 13, 2009

TONIGHT: Spirits With Spirits at La Golondrina Cafe


It's Friday the 13th! Don't you want to celebrate by doing something a little more adventurous than spending the night with Jason Voorhees? Yeah? Then allow me to remind you that, on the 13th day of each month, LA's very own ghost hunting group meets at a haunted bar or restaurant in order to discuss the paranormal - and tonight is no exception. Join the GHOULA get-together at La Golondrina Cafe on historic Olvera Street for an evening that's sure to offer some intriguing insights into Los Angeles history...if not a few spirit sightings. (Unfortunately, a prior engagement means that I'll probably be a no show at this meeting, so have a margarita for me!)

Here are the details, from the GHOULA website:

Note: The management has agreed to allow our group into the (normally closed to the public) haunted area of this historic restaurant. So, come out and experience this rare opportunity to go inside one of the city's oldest buildings.

THE DATE: November 13th, 2009 (Friday the 13th!)
THE PLACE: La Golondrina Cafe
(17 West Olvera Street, Los Angeles) map
THE TIME: 7:00pm to 9:30pm (closing time)

THE GHOST(S):

In 1885, Guiseppi Covaccichi built his home and winery next to an alley that at the time was known as "Vine Street" (or sometimes "Wine Street"), because of all the other wineries in the immediate area. Despite this fact, that modest home is for some strange reason today known as the Pelanconi House (who was one of many in a string of former owners), and the dingy alley was also mysteriously renamed after one of the other families in the area to "Olvera Street." Although these reasons may have been lost to history, thankfully the house and street were not. This is largely due to a local activist, Mrs. Christine Sterling, who in the 1920's made it her mission to preserve the Alvila Adobe (the city's oldest adobe structure) and the Pelanconi house (the city's oldest brick structure) for future generations and to turn the decaying slums known as Olvera Street into "The Mexican Street of Yesterday in the City of Today." As part of her plan, she convinced a local businesswoman, Senora Consuelo de Bonza, to move her popular eatery into the old Pelanconi House (and the adjoining warehouse). After cleaning, renovating, and blessing ("to remove the evil spirits"), La Golondrina reopened its doors to the public in 1930. Not only is it the oldest business on Olvera Street today, but it also holds the distinction of being the first place in Los Angeles to serve "Mexican" food (as opposed to "Spanish").

Although Senora Consuelo de Bonza is no longer with us, her portrait still hangs in the dining room, and some say her spirit still remains as well. In addition to the sounds of disembodied footsteps trailing throughout the empty restaurant, witnesses have claimed to see a woman (sometimes described as young) dressed in a white gown floating up the stairs to the "third" floor (originally the second floor), as well as inside the private offices on that floor. Even though this apparition is generally believed to be Senora de Bonza, it is quite possible the ghost could be a member of one of the many families that resided in this home over the years, since these offices are where the house's bedrooms were once located. It is also worth mentioning that the canal (known as the "mother ditch") that brought water to this cluster of buildings and farms from the Los Angeles River ran very close to this house and would surely have been visible back then from one of the upstairs windows. Although, this waterway in many ways represented life to this community, sometimes it also represented death. It was not uncommon in our city's early (wild west) days for murdered bodies to be disposed of in that ditch, or for drunken souls to meet their accidental end there. Perhaps this "woman in white" is connected to a long ago unsolved murder (or accidental death), as a victim or one who mourns for a lover who met his demise in the dark muddy waters that rolled past this former haunted house.

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